On the last day of May, while P spent some time with a Castillea alum studying in France, Vicki, Rebecca and I toured the new
Paris Romantique exhibition at the Petit Palais. (Romantic, not romantic). Five years ago Vicki and I did the
Paris 1900 exhibition, also at the Petit Palais, and I remember it still as the best such show I have ever seen.
Paris Romantique was a bit smaller in scale but similarly organized, by genre: war, politics, revolution, fashion, furniture, literature, arts and music. I know this period in history but slightly, and largely through composers and their biographies. Romantic Paris was the nut that Wagner (and every other artist of the period) tried to crack, and against which he eventually developed. His 1841-42 apartment on the Left Bank is still well marked. The Petit Palais is another of Paris' many gems, historically, architecturally, decoratively, as well as its permanent collection, and it would be a star museum in most any country outside Europe.
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Metro ad |
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One view of the Petit Palais |
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Delacroix well represented; here his Les Convulsionnaires de Tanger, done in
1838, concerning a procession he witnessed while on a diplomatic mission to
Tangiers |
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The great French author of the period...one of the authors of
both the French and English infatuation and idealization of
the Medieval |
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As I said, I approached this period and place from music, and Berlioz was
certainly one of the earlier French Romantics |
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Origin of the term "long hair" |
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Raising of the Obelisk on the Place de la Concorde in the 1830s; the Place de la
Concorde was not a Happy Place in Paris or French history, unless you were a
fan of regicide, the Terror, etc., and during the Restoration it was decided,
eventually by Louis Phillipe, to put the obelisk there; it was a gift from Egypt
and had been transported, with great fanfare, all the way from Luxor |
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Back to music: my favorite high Romantic opera, Der Freischutz, by Weber |
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In Paris, Meyerbeer ruled the opera world and was Wagner's chief antagonist; also
perhaps the first object of his anti-Semitism |
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Jean Pezous, La Descente de la Cortille, depicting part of a parade associated
with the Paris Carnival |
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The model of Pleyel piano that Chopin preferred |
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Poet of the Piano |
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Lizst was there too; I wonder if they ever did a "dueling
pianos" thing |
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As was George Sand, aka Aurore Dupin-Dudevant, the most
popular and prolific writer of the age; also a political activist,
socialist; adopted the male nom de plume, dressed as a male,
smoked in public, and whose list of famous paramours,
including Chopin, is beyond the scope of this blog; deserves
way more attention as a writer and feminist than she has gotten |
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Musical bits and pieces |
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Many, many famous operas of Romantic Paris |
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Rachel, the great Thespian of the age |
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When they weren't writing, singing, or acting, they were manning the barricades...
1815 marked the Allied occupation of Paris; 1830, the Young Europe
revolution that influenced Wagner, and of course, 1848; Wagner was long
gone from Paris by then, but his involvement in the revolutionary events of
that time brought a price on his head and exile from Germany that lasted a
decade; the epicenter of it all was Paris, and much larger events unfolded... |
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Victor Schnetz, Combat devant l'Hotel de Ville, le 28 juilette, 1830 |
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After Romantique Paris, we also took in an exhibition of German Romantic works,
mostly drawings, from Weimar |
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Paysage Italien, by non-Renaissance Renaissance man Johann Wolfgang von
Goethe himself; Romanticism certainly antedated 1815-1848, and Goethe had
as much to do with it as anyone |
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In the permanent collection of the Petit Palais, a Steen |
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Rembrandt self-portrait #1,632 |
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Show-stopper for me: Guimard's Paris dining room |
1 comment:
Love the "dueling pianos" comment!
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