The appearance of the Courtauld
Collection at the Louis Vuitton Foundation in Paris is another of those cases where, when
a museum is undergoing serious renovation, it ships its collection to
another museum, or other museums, for the duration. Always better to be seen than to be crated. We first saw the
Girl With the Pearl (
Ear Ring) in San Francisco one
year, then saw it again at the Mauritzhuis in Rotterdam a year later.
Anyhow, the Courtauld Collection, from London, is an important
Impressionist collection. Mr. Courtauld was of French Huguenot
extraction, made his fortune developing and selling rayon, the first
synthetic textile, and spent it investing in art, art history, and
art education. For the time, I imagine, he was a fairly bold investor. The
exhibition was right at home in Paris.
|
Manet, Corner of a Cafe, 1879 |
|
A draft of Manet's Le Dejeuner...Courtauld collected not only final paintings but also sketches, early versions, correspondence related to the work |
|
Manet, A Bar At The Folies-Bergere, 1882 |
|
Monet, Antibes, 1888; it's changed a bit |
|
Monet, The Gare Saint Lazare, 1877 |
|
A bit of the letters collection on display |
|
Cezanne, Man with a Pipe, 1892 |
|
Cezanne, The Card Players, 1892; we'd see another of this at the d'Orsay in a few days |
|
Gauguin, Haystacks, 1889 |
|
Modigliani, Female Nude, 1916 |
|
Van Gogh, Wheatfield with Cypresses, 1889; that wheat field? |
|
"I cut myself shaving" |
|
Van Gogh, Peach Trees in Blossom, 1889 |
|
At the end of the exhibition, there was an entire room of Turner watercolors, some earlier ones, but several of the later ones, obviously related to what would become Impressionism; this, his Falls of the Rhine at Schafhausen, 1841 |
|
Dawn after the Wreck, 1841 |
|
Mt. Blanc, above Courmayeur, 1810; it's changed there too; on the whole, an impressive and important collection, beautifully displayed and interpreted... |
No comments:
Post a Comment