In half a dozen or more visits over the years, I think we have gotten beyond the Sainsbury Wing just once. That's an indication of 1) our interest in Medieval and Renaissance painting, and 2) the quality and breadth of the National Gallery's collection. Our first visit on this campaign didn't even get us very far into the Sainsbury. We'll keep trying. Alas, because of COVID perhaps, the order of rooms doesn't permit a very chronological tour. But perhaps others are not as sensitive as I to moving from international Gothic to Rafael to the Rogier van der Weiden to Leonardo and then back to international Gothic. Etc. So bear with me...
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The Wilton Dipyich, late 14th, thought to be Richard II's devotional piece |
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Duccio (!), The Virgin and Child with Saints Dominic and Aurea, 1315 |
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Giovanni de Paolo, Saints Fabian and [a really shot-up] Sebastian, 1475 |
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Lower right detail: they were often invoked against the plague: note the figure here is masked! |
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Another Duccio, Annunciation, 1307 |
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Love the Ucellos: The Battle of San Marino, 1438 |
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Gherardo di Giovanni, The Combat of Love and Chastity, from Petrarch; his arrows break against her shield; the chain she casts will bind him...late 15th |
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Cosimo Turo, The Muse Calliope, 1475 |
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Muy famoso, Giovanni Bellini, The Doge Leonardo Loredan, 1501; major Renaissance icon |
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Pisaello, Virgin and Child with Saints, 1435; I was amused...St. George, on the right, in full armor after slaying the dragon, and sombrero (needs protection from the radiance of the Virgin and Child) |
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Masaccio (!), an early one (?), before he became Masaccio |
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Filippo Lippi, Annunciation, 1450 |
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Lippi, Seven Saints, 1450; with attributes |
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Botticelli's Mystic Nativity, dated 1500; unusual in almost every way: oil on canvas, the subject and treatment, etc. |
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A detail, lower right, that almost certainly comes from viewing northern art, Rogier van der Weyden, Bosch? |
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Personal favorite, Botticelli's Venus and Mars, 1485; it's complicated |
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Another Masaccio before he was Masaccio, Saints Jerome and John the Baptist, 1428 |
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Jacapo de Cione, The San Pier Maggiore Altar Piece, 1370 |
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Detail, right: probably not playing Scotland the Brave |
1 comment:
Never enough time to see everything.
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