Saturday, July 31, 2021

Hampton Court, 2021

Despite many previous London visits, it took us until 2016 to finally see the palaces and gardens at Hampton Court. We were impressed (https://roadeveron.blogspot.com/2016/08/hampton-court.html, and https://roadeveron.blogspot.com/2016/09/hampton-courts-gardens.html), and vowed to return. It's still a long ride up the river, or Tube, but well worth it: Hampton Court is a three-fer, three dynasties, three palaces, three gardens. Tons of history and art.

Already well inside the expanse, the entrance to the Tudor palace

We went first to a special exhibit on the 1518 Treaty of Universal Peace,
negotiated by Cardinal Wolsey (above), between England and France,
and eventually signed by 20 other nations; Wolsey built Hampton Court 
and was the king's Lord Chancellor and number one guy; until Henry (VIII)
unfriended him and took the palace for his own; despite other triumphs,
Wolsey had failed to secure the annulment of Henry's marriage to
Catherine of Aragon; it's complicated

Nearly contemporaneous painting of the locale in France where
the peace conference took place; including the "cloth of gold" tents
where Henry VIII and Francois Premier tried to out-do each other

Tudor chimneys at Hampton Court; Vicki theorizes that Gaudi
drew his inspiration from these

Holbein pose

A favorite courtyard scene

Moving right along: the place has tons of art...here, the landing
of William and Mary, Bloodless Revolution

Above the staircase in a William and Mary bit

Knife and gun show: a vast hall, the upper walls of which are covered
in muskets, pistols, lances, swords, etc.

Kneller portrait of George I

George II (George III was busy seeing his
psychiatrist: he had issues about losing colonies)

Apotheosis of Queen Anne (or possibly some other Queen)

Netherlandish influence during
William and Mary

Actual factual origin of the Princess and the Pea story; these
are Queen Charlotte's mattresses, in conservation (or some other
Queen)

Art everywhere...and I am to be credited with
recognizing this as a Joos van Cleve; confirmed
by the attendant staff

Also gardens everywhere; the flowers mostly past their prime
but still of great beauty

River Thames, the traditional entrance to Hampton Court

Formal and privy gardens

Among the gates at the river entrance

River arrival view...it's not much but it is home...

Later in our visit, other side of the expanse, other gardens,
looking back to the Tudor bits 

Henry's Great Hall
























































































































































































































































































































































































Hammerbeam ceiling; the only great hall surviving
from Henry
























Among the several Abraham tapestries, 1540s; two copies...
one went to the French king, the other to Charles V...perhaps
the greatest age of kings...

At the time of Charles I's execution, they were reckoned the 
most valuable artistic properties of the Realm; completely,
unmentioned in the standard tour; Vicki registered a complaint

"Nevermind," quoth the angel


National Gallery Of Art, 2

It took us two tries, but we finally got out of the Sainsbury Wing (Medieval and Renaissance paintings) at the National Gallery, and future visits will occur in the main building. It was good to see so many old Medieval and Renaissance friends. We have really missed the art museum thing here and on the Continent.

Rafael's Madonna of the Pinks, 1507; from his
Pink Period

Leonardo's Virgin on the Rocks, 1491-1508; 
definitely from his Smoky Period

Theotokopolous, Adoration of the Name of Jesus,
late 1570s [El Greco]

Bartolome Bermejo, St. Michael Triumphs over
the Devil
, 1469; Bermejo studied in the north,
hence

His happy face Devil

Personal favorite...anything by van Eyck...this is
thought to be his self portrait, 1433 (the year after
the Ghent altarpiece); I'm searching hat stores
everywhere for head-gear like this

Muy, muy famoso, van Eyck's Arnolfini
Wedding, 1434

Detail: the convex mirror and van Eyck's signature

Bosch, Christ Mocked, 1510; we've seen a similar
painting in Ghent

Detail, lower left: let's see, the Turks took
Constantinople in 1453, and were headed in the
direction of Vienna...

Memling Donn Triptych, 1478

Rogier van der Weyden, The Magdalen Reading,
1438; obviously cut down, omitting St. Joseph's
head: wouldn't fit over the sofa

Luca Signorelli, The Circumcision, 1490; Jesus
is saying, "don't worry, I'm not going to use it"

Rafael, Ansidei Madonna, 1505

Ghirlandaio, Virgin and Child with St. John, 1490;
what is notable here is...

Detail right: a landscape of Rome...

And, finally, an unfinished early Michaelangelo,
notable for the non-twisty figures (before he was Mr.
Twisty) and the green under-painting

Yes! We've done it! On to paintings after 1500!



Friday, July 30, 2021

National Gallery of Art, 1

In half a dozen or more visits over the years, I think we have gotten beyond the Sainsbury Wing just once. That's an indication of 1) our interest in Medieval and Renaissance painting, and 2) the quality and breadth of the National Gallery's collection. Our first visit on this campaign didn't even get us very far into the Sainsbury. We'll keep trying. Alas, because of COVID perhaps, the order of rooms doesn't permit a very chronological tour. But perhaps others are not as sensitive as I to moving from international Gothic to Rafael to the Rogier van der Weiden to Leonardo and then back to international Gothic. Etc. So bear with me...

The Wilton Dipyich, late 14th, thought to be Richard II's devotional
piece

Duccio (!), The Virgin and Child with Saints Dominic and Aurea, 1315

Giovanni de Paolo, Saints Fabian and [a really
shot-up] Sebastian, 1475

Lower right detail: they were often invoked against
the plague: note the figure here is masked!

Another Duccio, Annunciation, 1307

Love the Ucellos: The Battle of San Marino, 1438

Gherardo di Giovanni, The Combat of Love and
Chastity
, from Petrarch; his arrows break against
her shield; the chain she casts will bind him...late
15th

Cosimo Turo, The Muse Calliope, 1475

Muy famoso, Giovanni Bellini, The Doge Leonardo Loredan
1501; major Renaissance icon

Pisaello, Virgin and Child with Saints, 1435; I
was amused...St. George, on the right, in full armor
after slaying the dragon, and sombrero (needs
protection from the radiance of the Virgin and
Child)

Masaccio (!), an early one (?), before he became
Masaccio

Filippo Lippi, Annunciation, 1450

Lippi, Seven Saints, 1450; with attributes

Botticelli's Mystic Nativity, dated 1500; unusual
in almost every way: oil on canvas, the subject and 
treatment, etc.

A detail, lower right, that almost certainly comes from viewing
northern art, Rogier van der Weyden, Bosch?

Personal favorite, Botticelli's Venus and Mars, 1485; it's complicated


Another Masaccio before he was Masaccio,
Saints Jerome and John the Baptist, 1428

Jacapo de Cione, The San Pier Maggiore Altar Piece,
1370
Detail, right: probably not playing Scotland the Brave