Wanting to make our Louvre visits more disciplined and meaningful we'd been watching some of the Great Courses lectures (thank you, Prof. Brettell), and, for our next visit, wanted to focus on just the Italian paintings. The Italian works are of surpassing importance for the Louvre, since, when King Francois Premier wanted to upgrade French art, he looked south, to Italy, for great artists and great art works to import. For us it was a very successful day of art appreciation and amusement. We were nearly the first in line at the Amis du Louvre special entrance.
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Ever wondered what it would be like to be the first in the door and, for at least a few brief shining moments, have the place to yourself? |
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Something we'd been looking for, Tintoretto's Coronation of the Virgin, 1580; a swirler, as became the fashion for domed ceiling treatments; hung so high you could barely see, much less study it |
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Personal favorite (paired with Manet's version); poorly displayed and much in need of cleaning and restoration; Giorgione/Titian Pastoral Concert |
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Holy Spirit going for another Immaculate Conception; Rene Sance, 1527 |
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Interesting presentation, showing Manet's copy (above) of Titian's Madonna of the Rabbit (important Easter foreshadowing)
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"Joseph is so gullible..." |
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Anonymous, early 14th, Fall of the Rebel Angels |
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Guido of Siena, late 13th, Nativity; really old as these things go |
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In the Louvre, always look up too |
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Andrea Mantagna, The Virgin of Victory, 1496; the Louvre has an impressive number of Mantagnas; no wonder there were so few in Mantua! |
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"So take the effing picture already!" |
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Another Anonymous work, The Virgin of the Scales, one of Leonardo's followers...the scales are pretty ominous...gonna find out who's naughty or nice... |
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Both the Louvre and Google identify this as a Bacchus; I think it is a Hermaphrodite checking his/her messages |
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The Louvre has three Caravaggios, this, The Death of the Virgin, 1606 |
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Starting to get crowded... |
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One of many super-sized Guido Reni paintings, The Union of Drawing and Color, 1625 or so; Reni was party to the big dispute of the day, whether painting or sculpture was the foremost art |
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Reni again, Jesus Giving the Keys to Peter, 1626; "Now don't lose these..." |
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Another Mantagna, Minerva Expelling the Vices from the Garden of Virtue, 1502; tempura on canvas (how'd that work?) |
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Rene Sance, Mohawk Bambino, 1527 |
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"Why is your halo bigger than mine?" |