There were scores (hundreds?) to choose from, some not very easily photographed...here's a not quite random sample...
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Nice Gainsborough landscape |
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Turner's Hulks in the Tamar |
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Turner's Cockermouth Castle |
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His Starkey House and Lake Cheshire |
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Vicki and I have looked at many Turners and
have always thought that, great as he was in
so many respects, he just couldn't do a
portrait that was not hysterically laughable--
even the tiniest dot of a face; this is his
Jessica, The Merchant of Venice, Act II, Scene V, done in 1830; one newspaper said
"it looks like a lady getting out of a large
mustard pot," and Turner's earliest biographer
wrote "none but a great man dare have
painted anything so bad"; yes, but we do
all know what Turner Yellow is |
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William Blake's Last Judgment |
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Jan Matsys |
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Titian |
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Bosch's Wise Men's Offerings |
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Rogier van der Weyden |
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Teniers' The Gallery of Archduke Leopold |
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There may be a couple score of van Dykes at Petworth,
mostly portraits of family members and friends, and
ancestors; this is the one I liked best, his Henry Percy, 9th Earl of Northumberland; aka "the Wizard Earl'; he
had an MA from Oxford, dabbled in alchemy; also did time
in the Tower; not a characteristic van Dyke, but still the
work of a great master |
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Turner lived at Petworth for two years, a guest of the Family,
and did many paintings of the estate; among these are a
number of water colors of the interior, such as the above
item, which served to guide the restoration of the galleries to
their later 18th-early 19th century form |
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Claude Gellee, aka Claude Lorrain, Landscape with Jacob and Laban; Lorrain was one of Turner's idols; a parody of
this painting in 1814 cost Turner relations with his patron
at Petworth for some 13 years; alas, Turner was sort of like
that... |
1 comment:
I like the Titian best...
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