Next day, Sunday, June 2, we visited Ghent's Museum of Fine Arts (Museum voor Schone Kunsten) for what would be our final cultural outing on the Continent for a while. It is a primarily regional collection, mostly Belgian, 14th century to the present, with much emphasis on modern work. But some major oldies too.
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Bosch's Christ Carrying the Cross is one of his last works; he died in 1516, and,
apparently sensing trouble with the religious authorities, ordered his unfinished
works destroyed; there is nothing else quite like this painting I know of, from
either the northern or Italian Renaissance |
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Christ's image on the Veil of Veronica; there's Veronica holding the veil... |
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Tormenters... |
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And another Bosch, his Holy Jerome; with all his attributes,
including the kitty-cat lion; c. 1500 |
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Moving right along, the Younger Breughel's Village Lawyer; like any Breughel,
it rewards close study; it was very popular in its time, later 1500s...he made
some 70 copies |
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Younger's copy of Elder Breughels' Peasant Dance |
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Ditto the Peasant Wedding, last seen in Munich |
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Very large Last Judgment, by Rafael Conche, 1589 |
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Lurid detail; with mirror warning...this could be you! |
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Henry Lays' Albrecht Durer Visiting Antwerp in 1520 |
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Up closer detail; and there he is |
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Alfred Stevens' 1887 Mary Magdalene; most
unusual Magdalene so far |
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Magritte's Manet's Balcony (1950); I could like this guy |
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And finally, thinking of our 2-year-old grand-daughter, who is moving, we are
told, beyond her Pointillist phase: Jan Hans Verhas' The Master Painter, 1877 |
1 comment:
Love your photos and commentary.
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