Saturday, May 7, 2022

San Marco Museum

We visited San Marco in 2011 and 2013 and decided 2022 might be a good year to return. We'd just seen Fra (Beato) Angelica's tomb at the church of SM Sopra Minerva in Rome, plus many of his works at the Uffizi.

The religious complex of San Marco is known for many things...the interest and generosity of Cosimo Medici (the Patriarch) in rebuilding and upgrading it, the (arguably) first public library contained therein, the many, many frescoes and paintings by Fra Angelica, the burial site of Pico della Miradola, (arguably) the intellectual father of Humanism, another of Ghirlandaio's Last Suppers, and last, and least, the shrine of the demagogue priest Savanarola's take-over of Florence in the 1490s. The previous posts do the place some justice, but there are always a few new things, or things seen in new ways, and maybe a correction or two.... 

It's a huge place, earlier 15th century, funded by Cosimo and
designed by his personal architect, Michelozzi

The four interior walls of the cloister are decorated with these
beautiful frescoes, by Fra Angelica, Fra Bartolomeo, and others;
this one by Fra Angelica, two Dominicans welcoming Jesus as
a pilgrim; it's all about Dominicans, you see...

Fra Angelica's San Marcos altarpiece...he was adept at both the
International Gothic as well as the beauteous frescoes emerging
in the via moderna; as the blurb below suggests, while this is an
old-style sacred conversation, it is amply informed by Brunelleschi's
theories of perspective and by van Eyck's realism...

[click to enlarge] except Fra Angelica and his peers knew little
of oil painting, which van Eyck had pioneered and mastered a
generation before

Anyhow, Fra Angelica was also pretty adept at the lurid 
Last Judgment genre too


We of course never look at anything but the Hell
side, since it is always the more interesting

Apparently they feed you in Hell; maybe punishment for those
guilty of the sin of selective eating disorder?

Eat and be eaten 

But mostly he did the pretty stuff

"Wheel! Of! Ezekiel!" (Ezekiel 10:9-10, for those of you keeping
score at home)

Madonna et bambina?

True confession time: we're in the gift shop now, formerly a 
refectory, and I am not recognizing this Last Supper as one of
Ghirlandaio's; frankly, it is so colorful...re-done, I guess...that it
almost looks fresh; the only identifying signage said it was a
"photographic reproduction," whatever that could mean; every
site I've visited on the web identifies it as one of Ghirlandaio's
three Florence Last Suppers; I should have noted that the
composition is exactly like the one at the Ognissanti (except for
the cat); I still prefer the one at the Ognissanti...it is set in a
real refectory, it looks like it's been there for 500+ years, and
there's the synopia of it on the adjacent wall

Going upstairs where the monks' cells are...an Annunciation that
is one of Fra Angelica's biggest hits

Actual Tree of Jesse; not the figurative one that some people prefer

The library...see the description below...

Among several displays...books, hymnals, writing, copying, and
printing apparati















Must preserve the books, can't sell them, must permit the public
to have access to them...yes, maybe the first modern public library








Since we were here last, they've really upgraded the Savanarola
shrine; here, part of his cell (he was the head monk)

Among the relics

Said to be his cloak...note the gold trim; apparently he still has
some fans...

Spare parts and helpful model; great place...

Wednesday, May 4, 2022

Uffizi, 2022

April 28th we did the Uffizi, again. Art and art history have grown on us over the years, and the Uffizi has gone from obligatory tourist destination to highest-priority pilgrimage site. Holy ground. I have examined the posts listed below and commend them at least as light-hearted coverage of one of the greatest of art museums:


As always, there are a few more items to post, some of which, I swear, we have not see before...

And in English too

"I said, bring us a shrubbery!"

In one of the Botticelli rooms

One of the many challenges of art photography...you get it framed,
focused, etc...and then...

In the cartography room, something we'd not seen before

Street scene

Imperial eye-roll

Wing-fitting gown on a Durer angel

Not happy with the scorpion on her forehead

Space available; your Renaissance paintings here

"You tell Him I said 'Mother of God' is fine, but I
want Queen of Heaven too!"


Weirdest St. John the Baptist yet; "gollum!
gollum!"

Never miss an Elizabeth Louise Vigee Le Brun; 
she weathered the Revolution in the sunny south;
and other places; anywhere but France

Light-hearted Breughel-spawn Calvary, a copy
of Elder's famous Procession to Calvary, which
we'll see again, hopefully, this fall in Vienna 

"Thus always to body-shamers"



Tuesday, May 3, 2022

Interim Update #1,266: Another Removal!

Our time in Florence was up, wonderful as it was. Air Dolomiti and Lufthansa sped us north, via Munich, to Britland. For a night, we are holed up in an Ibis hotel at Heathcliffe. Didn't want to drive after dark in Kent, especially on the wrong side of the road and shifting left-handedly. But soon we'll be there, savoring the gardens. And spring, in Britland!

The lounge at Florence's Amerigo Vespucci airport was not well
stocked, at least by some standards, but, next to the battery of espresso
machines, it had just exactly the right ingredients for me, and for
my last few Negronis in Italy


The Ibis is right on the landing flight path for Heathcliffe; the 
soundproofing is amazing

Monday, May 2, 2022

Bargello, 2022

We went to the Bargello again, largely to see the "Donatello and the Renaissance" exhibit there. IMHO, it was largely a rearrangement of pieces already there with some added verbiage. Minor stuff from elsewhere. More of the exhibit was at the Palazzo Strozzi, a few blocks away, but by then we were too tired and unimpressed to visit. Besides, there was a long, long Renaissance staircase. In any case, the matter caused me to reflect that most of Donatello's work was either affixed to something else (a pulpit, a baptismal font, etc.), or too massive to move at all (e.g., the Gattmelata full-sized equestrian statue in Padua). So what was I expecting? 

Previous visits to the Bargello include https://roadeveron.blogspot.com/2011/06/bargello.html and https://roadeveron.blogspot.com/2013/10/bargello-2013.html. But we still found a number of things worth noting.

The Bargello, formerly city hall, then police station, 
then jail, now one of Florence's great museums
Exhibit verbiage [click to enlarge]

Donatello's David Victorious; first full-scale nude
male sculpture since Classical times; still controversial

As Vicki noted, the face is that of a young man,
the body of a youth

Small model for a later version (from Berlin)

And another, unfinished, worked on by a disciple

Unusual dorsal view of Michaelangelo's tipsy
Bacchus

Michaelangelo's David/Apollo...unfinished because
the guy who commissioned it was beheaded for treason

The one new thing, to us, was the Dudley Madonna,
which normally resides in the V&A, a relief by Donatello,
which was the beginning of a genre...a genuinely tender
and touching representation

Thus

Disciple Desiderio de Settignano's version

Michaelangelo's version

Moving right along, a re-positioning of a fountain setting from
the Pitti Palace; the water squirts out from sorts of interesting
places

Nice pipe collection from the assorted knick-knack rooms

Holy fly-swatter

You don't believe me? Read the above...

Something very strange going on between Ledo and the Swan