Our Friends of the Louvre passes expired May 8th, so in the the days leading thereto, we visited the great museum several more times, seeing old friends, learning a few new things, and generally enjoying the freedom to come and go and enjoy without much waiting or hassle. As always, there was amusement, documented here.
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Crowds were about as big as we've ever seen; as they say, there is no shoulder season anymore... |
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Disruptions, closures, etc., reminded us of COVID times...you never knew in advance, they never knew ever, what rooms/divisions/wings were going to be open or closed; the Louvre's extensive website includes information on closures...not entirely reliable, we found; oh well, there's always plenty to see |
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| "Open a little wider, please" |
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| Vasari's Annunciation |
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| Note Mary's gnarly toes |
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Il Francia's, Christ on the Cross with the Virgin Mary, St. John, and St. Job [lounging indecently] at the Foot of the Cross, 1514; St. Job? you ask...yes, he's an eastern church saint, a 17th century Ukrainian, known more widely as St. Job of Pochayev; you heard it first here |
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A couple huge reliefs we've walked by dozens of times... "gotta get this speck of sand out of my eye" |
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| Inspiration for Grapes of Wrath |
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Hoogstraten, The Slippers, 1652, possible doctoral dissertation topic: why are the two slippers, in this allegory of Dutch household maintenance, of such different sizes? Explain with reference to Leibniz' monads...[click to enlarge] |
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In the Sully (or possibly Denon or Richelieu) wing, 1st floor...I post this photograph merely as a teaser for my forthcoming article (https://artificialartifices.blogspot.com/) on the 10 best places to nap in the Louvre) |
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| Muse of the Chuckwagon..."Come and get it!" |
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"Our heavenly father, we beseech thee to make this bacon double cheeseburger feed thirteen, wait, no, twelve people...and maybe some fries...with ketchup" |
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| What goes on behind the construction curtain |
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| Posted very inconspicuously...never seen it before |
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| Millet, Le Precaution Maternelle, 1855...still processing |
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So among our discoveries were a couple of rooms of scores of Corot paintings--donations from a major collector--which should be in the Orsay, but, hey, there was no Orsay then; Corot was a contemporary of Courbet, a pre-Impressionist, sort of, very prolific, very influential; anyhow, this is Corot's decoration for a bathroom, toilette, for his friend and patron Robert-Parfait Hubert |
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| Fuller left-side view |
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| A droite, as they say; I'm changing my name to Mark-Parfait Sherouse |
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Charles X awarding prizes for the 1824 Salon: "And Star Painter for 1824 is..................................................................................... a three-way tie between John Constable, Eugene Delacroix, and Jean-August-Dominique Ingres" |
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| Jean-Auguste-Dominique Ingres, In Your Dreams, 1830 |
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| Reading Room |
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Initially, we thought this might be Watching the Fireworks from Fort Wilderness; but decided maybe not... |
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| Jesus suffering the little ones... |
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| Cranach, The Three Graces Stretching Before a Pose, 1531 |
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Naenius, The Artist Painting, with his Family, 1629; "don't make my nose too big" |
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| Can't tell the players without a program |
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Lodewijk de Deyster, Angels and Allegorical Figures of the Arts and Sciences Presenting the Thesis of Johannes de Vos, a Resident of Bruges, 1695; how could the examination committee turn it down? |
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| "Hey, thanks for the stogie, but how about a light?!" |
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