We first became acquainted with the work of impressionist Berthe Morisot at the Marmottan-Monet Museum in 2014, where they had collected many of her works for an exhibition. The day we were at the Orsay was the opening of that museum's first major exhibition of Morisot works, 6 or 7 rooms, 50 or so paintings. About a third of the paintings were from museums, world-wide, many of them famous; the rest were from private collections, from all over the world. It must have been quite a challenge to curate! No better illustrated than by the fact that Manet's portrait of her had to stay with
its collection in the Orsay, downstairs and across the tracks. See below. I took only a few pix, mainly because the rooms were crowded and intense and because the paintings from private collections generally prohibited photography. Nonetheless, a rare privilege to see so many of her works in one place.
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Woman and Child at a Balcony, 1871-72; from the Bridgestone Museum, Tokyo |
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Her Marine, 1869; Lorient, in Brittany; Manet pronounced this a masterpiece; she later married his brother, Eugene, and was known and admired by the leading painters of the day; National Gallery of Art, DC |
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La Psyche, 1876; Thyssen-Bornemisza, Madrid |
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Summer, or a Young Woman by a Window, 1879 |
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Three titles, this one: In the Garden, or Women Gathering Flowers, or In the Bois de Boulogne; 1879, National Museum, Stockholm |
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La Lecture, 1888; perhaps her daughter Julie; St. Petersburg (FL) |
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Lucie Leon at the Piano, 1892 |
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Julie Manet at the Violin, 1893; her daughter; private collection; Berthe Morisot died at the age of 45, caring for her sick daughter |
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Downstairs and across the tracks, as I said, in a permanent collection, is Manet's 1872 Berthe Morisot au bouquet de violettes |
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Another great visit to another great place! |
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