It's not one of the great ones, but it's certainly one of the more memorable ones: Romanesque, consecrated in 1135 or so (the memo about Gothic architecture had not been written yet); also Byzantine, with two nave domes; basilica shape, not cruciform; fortified west tower. And many funny faces, but mostly on just the north side, away from the cloister. We visited it, not for the first time, June 29th.
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The cathedral is so hemmed in you can only see it from the air; the fortified tower is to the left of the two nave domes; the chancel has Gothic windows and integral buttresses |
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Tympanum on the north portal; jam statues are all gone |
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Up closer [click to enlarge]: it's a mixed scene, mostly the Ascension (see the four happy angels on top to receive Jesus), a Byzantine tympanic program derived from the abbey of Cluny; but in the smaller registers, there are scenes from the martyrdom of Stephen, to whom the church is dedicated
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Knave view; note the gallery on the left: sky boxes? accommodations for peregrinos? |
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West dome...apostles and scenes of Stephen's martyrdom |
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East dome: "your message here," " this space available" |
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Very old-looking frescoes in the tower |
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The fortified main tower |
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Funny faces |
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And other figures |
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Nice capitals |
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And ever more funny faces on the north side |
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Including two possible Sheelas [click to enlarge] |
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If not a Sheela, then certainly not a very Christian pose |
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Definitely on The Way |
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Gothic/Byzantine apse |
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And more funnies |
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Cathedral garden |
2 comments:
Makes you wonder what was in the minds of the carvers of all those interesting faces decorating churches. Was it humor, fear, boredom, or was there a motive hidden somewhere there?
Surely there's a Dan Brown novel underlying the funny faces, a profound message. Don't call me Shirley.
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