We finally got back to the Louvre on April 15th, but not much further than the special exhibition of works by the late 15th century engraver and painter Martin Schongauer. Few of Schongauer's paintings have survived, but there are plenty of prints from the more than 100 engravings he did in his short life. He is widely regarded as the first to really make a go of artistic engraving and printing (Gutenberg was just a couple decades earlier) and was idolized by Durer, a generation younger, who, apart from being the master engraver/printer, was a major collector of Schongauer prints. We have been encountering Schongauer here and there since our 2011 visit to Colmar, and possibly earlier. We were there last in 2023.
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| But first, in the Tuileries... |
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Marveling at the lengths the French will go to to conceal unsightly renovation, redesign... |
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| Click to enlarge and read |
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All the biographical stuff was music to my ears, since I'd just finished my Life and Art of René Ssance, who would have been a younger contemporary of Schongauer |
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Crucifixion with Four Angels...the size and detail are incredible; Schongauer's education as a goldsmith is evident in all the engravings; the print itself is maybe 5x7 inches... |
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| Holy Family, 1470s; oil on lime wood panel |
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| Adoration of the Shepherds, oil on oak panel |
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Madonna and Child at the Window, 1475; all the paintings are oil...we're two generations after van Eyck |
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| Madonna of the Carnation, pen and ink, 1470 |
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Two panels, four massacres/martyrdoms...St. Bartholomew, the Innocents, St. Acacius and the Ten Thousand, and [not to be outdone...] St. Ursula and the Eleven Thousand Virgins |
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St. Anthony (not being tempted) and Nativity; note Baby J head piercing |
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Non Tocare (you can look but you can't touch) and a Doubting Thomas; late 1470s; according to the Louvre, only the Doubting Thomas Jesus is by Schongauer, the other by his workshop |
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Madonna of the Rose Bower, 1473, Schongauer's most famous work, much cut down in the 19th century |
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| As we saw it in Colmar in 2023 |
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| Adoration of the Magi, 1475 |
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| "Take that, Saracen Pig!" very late 1400s. possibly not by Schongauer |
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Two St. Michael and the Dragon scenes...barely larger than postage stamps, but incredibly detailed...the goldsmithing skill and perfect eyesight are so impressive |
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Torment of St. Catherine; painted about 1500, possibly in Krakow, from a Schongauer print |
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| Illuminated books of the era |
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Schongauer's Road to Calvary, 1470-75, said to be the largest engraving/print of the 15th century; in an adjacent small theater the Louvre showed a video looking at this print in detail, explaining the setting, technique, symbolism, etc.; and in English, too; we used to skip displays like this; now we never miss one |
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And later...it's gone! Off to a "metamorphoses" exhibit at the Rijksmuseum... the famous Louvre Hermaphrodite... |
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| As seen at the Louvre/Lens some years ago |
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Always fun to watch people approaching from astern and then... "Oh my! Oh dear!" |
1 comment:
Oh, my! Oh, dear!
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