Thursday I braved the Peninsula traffic and drove up to The City to see the de Young Museum's special exhibition,
J. M. W. Turner: Painting Set Free. (Vicki is not quite the Turner fan that I am: "too many boats"). The exhibition focuses on the last fifteen years of Turner's long and prolific career (1835-1850), at a point, established and acclaimed, where he could pursue his own interests and inclinations and ignore the press and his legion of critics. I thought it was quite a well done exhibition, especially relating his works in water color and their relation to his oil work. With the later Turner, especially, it is largely about light and color, and I am always looking for the seeds of Impressionism--Monet spent 1870-71 in London and doubtless saw some of the later Turner--and I was not disappointed.
|
Great museum in the Golden Gate Park |
|
Burning of the Houses of Lords and of Commons, 1834 |
|
The Bright Stone of Honor...(from Childe Harold), 1835 |
|
Ancient Rome: Agrippina Returning with the Ashes of Germanicus, 1839 |
|
Light and Colour (Goethe's Theory)--The Morning After the Deluge--Moses Writing the Book of Genesis, 1843; not so
sure of Turner's biblical scholarship here, but he knew color
and wrote authoritatively of it |
|
Peace--Burial at Sea, 1842 |
|
Approach to Venice, 1844 |
|
One of several "Sample Studies," smaller water colors by
which Turner endeavored to snare commissions; this, The
Blue Rigi (a mountain near Lucerne) |
|
Whalers (Boiling Blubber) Entangled in Flaw Ice,
Endeavoring to Extricate Themselves, 1846; it was not an age
for short titles |
|
Whalers, 1845; OK, except this one |
|
Perhaps the most famous item in the exhibition, Snow Storm-- Steam-boat off a Harbour's Mouth...well, the title goes on and
on, including Turner's claim to have been aboard (lashed to
the mast, of course)...an incredible painting, despite the title |
|
Not without his critics |
|
Norham Castle, Sunrise, 1845? |
|
Europa and the Bull, 1845? |
|
The Visit to the Tomb, 1850; Aeneas and Dido visit the tomb
of Dido's husband; part of a series on Aeneas |
1 comment:
Now, I like all the boats!
Post a Comment