Tuesday, November 19, 2024

The Met's Cloisters, 1

We can't remember whether we first visited The Cloisters--the Met's Medieval satellite way up the river--in 1968, when we were working in New Haven, or in 1970-71, when we were working and studying in Boston. Of course, from college and other studies, we already had more than passing acquaintance with things Medieval. But we're sure we first saw the Cloisters in those years, and it made an impression. We've seen a lot more Medieval stuff in Europe over the years, in situ, most of it, but the Cloisters still warrant a visit. Or two. We were there October 5th and again on October 17th.

An assemblage of artifacts and building parts from Europe, mostly
the Pyrenees and environs, Spain, France, and some Germany, too;
much of it acquired initially by the American art dealer George
Gray Barnard, then bought and placed in Fort Tryon park by
John D. Rockefeller, Jr.; Fort Tryon park a gift from Rockefeller to
the state, the Barnard collection a gift to the Met; he also bought
huge tracts across the river in New Jersey to ensure the views from
Fort Tryon would be preserved...


John D. also gave us the Smokies, the Tetons, and so much more...
public-spirited billionaires always needed...

From forty paces, you'd think this was a van Eyck; and you'd be
nearly right...this is the Merode Altarpiece, attributed to the workshop
of Robert Campin, a contemporary of the van Eycks, who also
dabbled in oil; an Annunciation Triptych; 1430s, Tournai

Central panel

Donor panel

Joseph hacking away panel...

Now in one of the four cloisters (on one of the excellent docent-led
tours); most abbeys had only one cloister, at most two, but this is America...



Jesus float in the Easter parade

Baby J playing with the forbidden fruit

Eve takes a bite and we're all eternally damned, but He
only gets diaper rash...

Hear no evil, see no evil, ...

Interesting depiction of the dragon; Burgos, 1530

Nativity of the Virgin, German, late 15th, paint on limewood; that is,
St. Anne having given birth to the Virgin

Now in the Fuentiduena chapel...a lion relief, c. 1200, originally
from a church in Zamorra

Now in the chancel of the Fuentiduena chapel, 
originally from Segovia; purchased by John D. and
shipped back to the States in 839 crates...more than
3,000 limestone and sandstone blocks...

Romanesque crucifix in the chapel; you can tell it's Romanesque
because Jesus looks relatively serene and his feet are apart,
resting on a sort of step on the cross; this was our big take-away
from the Cloisters and definitely will be on the quiz...we've seen
hundreds (thousands?) of crucifixes, but the distinction between
Romanesque and Gothic crucifixes was something new to us...
always more to learn...

Baptismal thing in the chapel

Painted wood box with scenes from the recapture of Orange, early 13th;
the Muslims had taken Orange, in the south of France, and the scenes
commemorate its "liberation"

Enthroned Virgin and Child, painted walnut, Auvergne,
late 12th

Across the river, the New Jersey Palisades



Way up river, the Tappan Zee Bridge, or possibly some other bridge

Refectory bell, German, 13th, inscribed (in Latin) "I ring
for breakfast, dinner, and drinks," mocktails, presumably...
or possibly some holy schnapps...


Monday, November 4, 2024

Museum Of Modern Art, 2

 More of the MoMA...

Edward Hopper, Gas, 1940; really starting to like Hopper

Picasso, Charnel House, 1945

Peter Blume, Eternal City, 1937

Magritte, The Lovers, 1928

View of one of the MoMA's cavernous interior spaces

Ecce mulier

James Rosenquist, F-111, 1964...

Obligatory Jack the Dripper

Barnett Newman, Vir Heroicus Sublimis, 1950

Rothko, Untitled No. 1, 1948

Kazuo Shiraga, Untitled, 1964; amazing how far art had come in
just two decades

Matisse, Swimming Pool, 1950s..."his first and only self-contained and site-specific cut-out"

Sam Gilliam, 10/27/69; new material...acrylic

At the bottom of the cavern

Kate Crawford, Vladan Joler, Anatomy of an AI System, 2018; pretty fascinating

Nearby and possibly associated with the above; last time
we saw a life-sized Google pin was outside their headquarters
in Mountain View

Otobong Nkanga, Cadence, visual bit

Mike Kelley, Deodorized Central Mass with Satellites, 1980s?;
enlarge to see all the stuffies

Richard Serra, Equal; among the things we really like at the Guggenheim
Bilbao are the massive Richard Serra iron sculptures; here is a much
smaller installation...OK to touch them...

Lastly: art or not art? I say it is art; therefore it is; QED

Midtown by night; definitely art


Museum Of Modern Art, 1

Our next stop, October 4th, was the Museum of Modern Art, located in mid-town Manhattan, and said to be the US' 4th most-visited art museum. Historically associated with the Rockefellers, it is decidedly European in orientation, although there is plenty of later American and other work in the collection. The gift shoppe and design store were about the largest we have seen. We did not dare enter. Although we very much enjoyed this museum and its collection, the lack of interpretive tours was a disappointment.


Its signature piece, evidently, is Van Gogh's Starry Night, 1889


One of a series, as we know--a trick Van Gogh learned from Monet--
personally I prefer the Cafe Terrace at Night, 1888, at the Kroller-Muller
in the Netherlands

Gaugin, Still Life with Three Puppies, 1888; as anyone
knows, puppies are anything but still...

Serat, Evening, Honfleur, 1888



Picasso, Les Demoiselles d'Avignon, 1908; the first of
many, many Picasos at the MoMA; among his break-out
works...

Among the MoMA's treats are the big windows from
which you can look out upon the neighborhood

Picasso, Girl with a Mandolin, 1910

Diego Rivera, Cubist Landscape, 1912; before he was Rivera

Klimt, The Park, 1910

Van Gogh, Portrait of Joseph Roulin, 1889; going postal



















































































































































































Obligatory water lilies room
Man Ray, Indestructible Object..., 1964 replica by the artist of
the original 1923...um...thing

Another beauty out the window

Marcel Duchamp, In Advance of the Broken Arm...,
1915-1964; it's a long story, the gist of which is that 
calling something a work of art is sufficient for its being 
a work of art...

Frida Kahlo, Self-Portrait with Cropped Hair, 1940

A 2nd signature work, I guess, Dali's Persistence of Memory, 1931

I'd never seen it before in person, although one sees copies, 
references, representations of it everywhere; never realized how 
tiny it is (9.5x13"); high point of the visit, for me...the topic of
my Ph.D. dissertation was, to the best of my recollection, memory

Among my favorites, Dali did sculpture as well as everything else;
here, Retrospective Bust of a Woman, 1933.., some crumbs reconstructed
in 1970...pregnant with meaning...click to enlarge to see the ants on
her forehead

Tina Modotti, Telephone Wires in Mexico, 1935; somehow
spoke to me...

Frank Loyd Wright's model for the proposed urban/suburban
city of Broadacre; thinking big...