More of the MoMA...
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| Edward Hopper, Gas, 1940; really starting to like Hopper |
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| Picasso, Charnel House, 1945 |
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| Peter Blume, Eternal City, 1937 |
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| Magritte, The Lovers, 1928 |
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| View of one of the MoMA's cavernous interior spaces |
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| Ecce mulier |
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| James Rosenquist, F-111, 1964... |
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| Obligatory Jack the Dripper |
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| Barnett Newman, Vir Heroicus Sublimis, 1950 |
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| Rothko, Untitled No. 1, 1948 |
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| Kazuo Shiraga, Untitled, 1964; amazing how far art had come in just two decades |
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| Matisse, Swimming Pool, 1950s..."his first and only self-contained and site-specific cut-out" |
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| Sam Gilliam, 10/27/69; new material...acrylic |
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| At the bottom of the cavern |
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| Kate Crawford, Vladan Joler, Anatomy of an AI System, 2018; pretty fascinating |
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| Nearby and possibly associated with the above; last time we saw a life-sized Google pin was outside their headquarters in Mountain View |
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| Otobong Nkanga, Cadence, visual bit |
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| Mike Kelley, Deodorized Central Mass with Satellites, 1980s?; enlarge to see all the stuffies |
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Richard Serra, Equal; among the things we really like at the Guggenheim Bilbao are the massive Richard Serra iron sculptures; here is a much smaller installation...OK to touch them... |
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| Lastly: art or not art? I say it is art; therefore it is; QED |
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| Midtown by night; definitely art |
1 comment:
I think I am always amazed at the amount of money people will pay for "modern art." Rothko, for example, commands millions of dollars for a canvas that is completely painted orange...no other thing on the canvas.
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