The exhibition began in the mansion's atelier, with a trio of short videos, in French, but with English subtitles, and from there moved through four or five rooms. As expected, none of Botticelli's greatest hits were there...the Uffizi, the Vatican, and others are not likely to part with their most popular and valuable paintings. But there were plenty of others to look at, particularly supporting the exhibition's themes concerning Botticelli's "multivalent" workshop and his wider work in design. We found ourselves enlightened particularly by the curators' take on the later Botticelli, after Savanarola. Lots to think about. Mostly we'd like to be beamed down to the Uffizi for a few hours.
|
Helpful map of Florence back when |
|
The exhibition included a number of paintings by Botticelli's associates; this by his teacher Filippo Lippi; Botticelli did a very similar one, now in Moscow, I believe |
|
Botticelli, Madonna of the Book, 1460s |
|
Botticelli, The Madonna Campana, late 1460s |
|
Slice of a wall length chronology |
|
Andrea del Verocchio, another associate, Virgin and Infant with Two Angels, late 1460s |
|
Tapestry designed by Botticelli, French manufacture |
|
Priestly vestment designed by Botticelli, made in Florence |
|
Well, everyone was masked, and in France, everyone's been vaccinated |
|
Botticelli portrait of Julian Medici |
|
Portrait of Michelle Marullo |
|
Botticelli, Judgement of Paris, early 1480s |
|
Venus Pudica is the title, but it's Simonetta Vespucci, the love of his life, great beauty of her age; two versions here |
|
One of the most famous images in all art |
|
Click to enlarge and see how Botticelli made a cameo of the brooch |
|
One of the later tondi |
|
Judith and Holophernes (head only); early 1490s |
|
Among the last, attributed to Botticelli and his workshop, early 1500s |
1 comment:
Biggest crowds I've seen in your photos.
Post a Comment