Wednesday, September 18, 2013

Bourges Cathedral, Again

We drove somewhat out of the way to get back to Bourges, south of Paris. We both wanted to see the great 13th century cathedral again, both for the glass and for the great size and age and uniqueness of the building. I did a long post or two on St. Etienne Cathedral in Bourges back in May, and, hopefully, I won't repeat too many of those shots. It's our new love, as cathedrals go.
The new roof is just about done, I imagine; there are several things I find intriguing
about Bourges...its non-cruciform shape, more akin to the original Roman/Christian
basilicas, reflecting, some surmise, the builders' interest in architectural unity; the
fact that, when built, it had no relics; and was not on any established pilgrimage route 


















Elevation, with the great double aisles; Bourges is not as tall
inside as a few of the others, but it feels incomparably larger




















In one of the aisles; because of their great height, you can
easily think you must be in the nave




















Judgment window


















Detail; paucitas salvandorum, multitudonem damnamdorum; including bishops















In another window, devils at play














From the Was, Is, and Shall Be window...Shall Be














And here, a treat or two we missed on our earlier visit...on a couple of apparently
mangled windows on the south side are intact remnants from the earlier 12th century
windows...one doesn't see that much 12th century glass...

















Ditto














Vicki demonstrates how close you can get to some of the
glass at Bourges



















And another treat...in the St. John chapel, a 1475 fresco that
was "discovered" and restored in the 1990s




















Convincingly later 15th century, if you ask me


















Bourges' bow



Tuesday, September 17, 2013

Sex And Violence In the Abbey Church of St. Mary Magdalen, Vezelay*

Vicki says absolutely no one will look at a post of my scores of pix of the capitals inside the church at Vezelay. That's where the great 11th and 12th century sculpture is. So I have re-titled it a bit. Here, anyway, is a modest sampling. In some you can pick out an obvious Biblical story or later Medieval Christian legend. In others, you'll have to add your own interpretation of some great religious or moral truth...or just marvel at what the high Medieval mind and art were capable of...




























































































































































































*The title refers to Peter Cook's "Memoirs of a Miner"

Vezelay Abbey Church Of St. Mary Magdalen/Madeleine

So in one day we get to see the beginning of Gothic and the end of Romanesque. Well, not exactly, since these things have no sharp lines. But Sens is a very early Gothic, and Vezelay a late Romanesque. Both very pronounced in style, architecture, situation, purpose. Sens in a city, ruling over other cities, bishoprically at least. Vezelay out in the countryside, remote, an abbey, but an important one.

Vezelay is a famous place, on the World Heritage Site list now for more than 30 years. Kings Richard and Philip quartered here before embarking on the 2nd Crusade. Becket preached here, threatening to excommunicate anyone who ate mushy peas. Vezelay's monks claimed to hold the relics of Mary Magdalen, the most famous of saved repentant sinners, and Vezelay was already on one of the four classic routes to the great pilgrimage site of Santiago in Galicia. Times were good. The great church was built in the 11th and 12th centuries, a sizable narthex added later in the 12th to accommodate all the pilgrims. But then, in 1279, someone else claimed to have found the tomb of St. Mary Magdalen, right here in France (!), and, Medieval standards of evidence being what they were (numbers of witnesses to putative miracles, wads of cash paid to bishops, popes, kings, et al., marriages, maybe a few murders, etc), Vezelay declined and some other place became important. Decline is good sometimes, however, if it leads to preservation. At Vezelay we have a late Romanesque church, a big one, with great sculpture all around.
West facade














Some interesting sculpture outside, most of it inside...



















In the narthex, a great Judgment














Our hearts leapt as we saw this...but, alas, it turned out to be a 19th century
reconstruction (they had their own ideas about what "Medieval" should look like)
















Nave...barrel vaulting, pretty Romanesque














Elevation in nave...aisle, small clerestory windows



















Abaft














In the chancel/choir, however, we have a small gallery/
triforium, then celrestory; and vaulting that is clearly of
the new style




















Altar view abaft


















In the crypt (where Sister Sue admonished us about no fotos and the need to pray
for world peace)(I told her no worries, Obama would take care of that)
















Aisle view


















Outside now; the buttresses, both integral and flying, were added later, we read















Tower


















Bow view














The church is high on the hill, quite a climb up from the parking, with a commanding
view of beautiful countryside















An impressive place, seriously; but wait, there's more




































Monday, September 16, 2013

Sens Cathedral

Sens Cathedral is one of the earliest of Gothic buildings, sometimes cited as the first completely Gothic cathedral. It is indeed old, as these things go, by a few decades, building having started c. 1140. Sens was an important place in the 12th century: its bishop ruled over those in Paris, and most of the other cities in the Ile de France. Interestingly, it's modest transept was added only in the 13th and 14th centuries.
West facade from the pretty city square


















Not one of the great sculptural programs


















Again, we had to wait, this time on baptism ceremonies... did they clear this with
Office of Tourism? But Vicki got lots of pix of cute babies in cute baptism outfits


















Knave; at this point they were experimenting with alternating piers and double-
columns















Thus; a bit of the elevation too; aisle, tiny triforium/gallery, small clerestory















Harvest is underway big-time in France (except for grapes) and so here
apparently is an offering to Ceres or Demeter or the patron saint of harvests
or whatever
















One of the later transept rose windows


















With devil














Another Becket window; very popular with bishops as a
cautionary tale...



















Beautiful old windows...Prodigal Son and Good Samaritan














Up close from an Old Testament window














Non-Gothic altar


















Another beautiful rose window, the Celestial Concert



















Detail














Transept view from altar














Important discovery department: according to the plan, the pier in the center
there should have been a double column...the opposite one is a double column...
did they forget, change their minds, run out of funds?! Need some more support
for the tower?