Friday, August 31, 2012

Bilbao Guggenheim 2

More of our visit to the Bilbao Guggenheim Museum. See the previous post for a little commentary.





Bilbao Guggenheim 1

Gaudi in the morning, the Bilbao Guggenheim in the afternoon. It was a pretty good day of art and architecture. And not unrelated, too. From the organic structures of brick and tile and iron and wood and color of Gaudi, more than a century ago, we pass to the glass, titanium, limestone, colorless, huge, billowing, “organic,” hardly a straight line except for floors and elevator shafts, lines of Frank Gehry's Bilbao Guggenheim Museum. Memories of the Sydney Opera, the Ba'Hai Lotus Temple in New Delhi, both of which I disliked. But the Bilbao Guggenheim grows on you, particularly when you consider the contemporary art it is intended to contain. In fact, its major defect is that the “building” itself overshadows anything it could contain. Not a good thing for a museum. Well, almost anything. The Bilbao aire is on a hill overlooking the valley and city from the west. Buses run to the city center and its tram and metro systems every 20 minutes. We checked in in the early afternoon, temperatures already in the 90s, and quickly took the bus down to see the Guggenheim and a bit of the city. The Bilbao Guggenheim is by no means the most wonderful thing we have seen, though it's nothing less than a must-see. It is perhaps the most difficult to render into a post or two or three that tells any sort of coherent story. So I'll just present a number of pix, in two posts, that reflect our experience there. In chronological order, more or less. The David Hockney exhibit is about the largest one-person show I have seen--five or six different halls--and only the last 10 years of his work. Anyhow, if you visit this area, do visit the Guggenheim, and particularly Richard Serra's A Matter of Time exhibit, which required its own very large building. Getting some sense of what the Guggenheim has done for Bilbao--a formerly very gritty industrial city--is worth a visit too.

Capricho de Gaudi


Comillas' main attraction for us, however, was its association with Antonio Gaudi and two specimens of his earliest work. We became acquainted with Gaudi in Barcelona in 2010. In a few moments we went from “oh yeah, we should see one of those weird buildings” to “we'll stay a few extra days so we can see them all, by day and by night, and each more than once, too.” We'll visit Barcelona again next spring, mostly for the Gaudi. Anyhow,imagine our delight in learning that Comillas, far from Barcelona, holds the Capricho de Gaudi, a home Gaudi designed for a wealthy businessman and friend of the king. It was his first design after graduating from architecture school, and, surprisingly, one can see in it already nearly all his characteristic features—the iron grill work, use of tile, bold, organic design, use of natural features, color everywhere, and on and on. All that is missing is the later use of broken ceramic and tile to make curved and rounded features. Of course, it is unlike any other house in Comillas.


































Comillas

Comillas is a beautiful little coastal town with many important buildings, a bit of history, and some very nice people. We stopped there principally for the Capricho de Gaudi (see next post) but enjoyed walking around the town in the morning, waiting for the Gaudi site to open. In the course of all this, something very good happened. The nice young woman at the TI directed us to an auto repair shop nearly across the road from the Capricho (direction Bilbao), and there the nice owner/manager and his assistant changed the Grey Wanderer's engine oil and filter. It was my first experience with an independent mechanic in Europe and a very good experience. They worked methodically and carefully, like surgeons, one might say. The white tile floor (!) of the garage was so clean, as were all the tools and working areas, you could eat off it. They swept up and mopped up after every job. The assistant washed his hands after every job. The best part, other than just getting it done and letting me watch, was that they charged only 15 euros to do it. (We provided the oil and filter). Students of this blog know that we have shelled out far, far, far more at Mercedes-Benz dealerships in Goteborg and Lisbon, and even at the nice and more reasonable M-B in Galiantip. 
On the trail






Beautiful mansion






In town square








Church off the square

















Tiled house

















Gate to villa designed by Gaudi, with an entrance for people,
one for vehicles, and one for birds

The Grey Wanderer feels much better now

Picos de Europa

Unfortunately, we followed a guidebook recommendation and drove the Picos from west back to east, that is, from Oviedo through a gorge to a reservoir, then east to the Fuente De cable car, and back down another gorge, ending at San Vicente, where we spent another pleasant evening. Bits of Cantabria, Asturias, and Castile y Leon. The Picos are admirable crags, but half the trip, the reservoir and environs, recommended by the guidebook, could well have been skipped. The good bits are over by the cable car. At least for scenic driving. FWIW, it was Assumption Day, a national holiday, and there were lots of people out.
In the gorge, headed up to the reservoir


















View from the reservoir














Ditto; no pelerins in sight this day














The attractive group to which the Fuente De cable car goes














Typical view; the Picos are not big mountains; mostly
limestone, they rise to less than 9,000 feet