Wednesday, June 1, 2011

Volterra 2

Every town has its dark side, and Volterra seems to be some
sort of center for Mormon vampirism; but the locals seem
to be taking it good-naturedly
















And the old Medici fortress has been converted to a small
prison, holding forty-some elite Mafia prisoners (we read)















The views are nice though















Ruins of Roman amphitheatre, baths, forum, et cetera















Etruscan Gate; what, your town doesn't have an
Etruscan Gate?!




















Alabaster is very big here; has been for
a couple millennia; an artisan's
workshop





















The Fonti di Docciola, which opened onto...















The (free) camper-stop

Volterra 1

Volterra is one of the older Tuscan hill towns, a member of the Etruscan League, with plenty of Roman remains as well. It has its share of tourists, but mostly independent travelers like us. We liked it sufficiently well to stay a couple days and nights.
Volterra main piazza and Palazzo dei Priori,
said to be the oldest public administration
building in Tuscany; setting up for a crossbow
tournament to be covered in a subsequent post





















12th century duomo














Very dark inside and no Divine Illumination
Machine



















The main reason we came to Volterra (other
than to see another nice, untrammeled
Tuscan hill town, one that seems to be 
coping gracefully with its fame): Rosso 
Fiorentino's Deposition from the Cross
widely regarded as the beginning of 
Mannerism (think Michaelangelo and pals); 
in the Pinacoteca
























Closer up


















Also Ghirlandaio's Christ in Glory, with its
two adoring Etruscan goddesses



















In the fine little Etruscan museum














Etruscan gold work














Me and mini-me

1,000 Days Since Embarcation

So we drove on, eventually landing at a rare Italian lay-by, with a view even















Next morning we drove up to our next stop, Volterra















Looking at our website, as we do every few months, we noticed this (Saturday) 
was our 1,000th day since embarcation, according to the counter gadget there 
installed
















So we hiked up the stairs from Volterra's (free) camper-stop, 
took in a bit of the beautiful old town (more later) and





















And enjoyed a memorable lunch, wine and bruschetta with tomatoes, and















Sausage pizza for Vicki and wild boar in sausage, olive and 
onion sauce with little polenta cakes for me; reflecting on 
our 1,000 days of travel since September of 2008, and the
next 1,000 days...

Sans Jimmie-Johnny

I should explain that our pronunciation of San Gimignano derives from our years in Texas. (Rickie Stevie is derived, however, from Will Ferrell's Rickie Bobbie). We have visited San Jimmie-Johnny two or three times, and, speaking for myself, have found it a place that does not grow on you. Further, there is no camper parking except a couple miles from the town, a camper-stop where, for 22 euros (32U$D), you can park and take the free shuttle bus to town; when it runs; or, still further out, a parking lot where for 1 euro an hour you can park and take the regional bus back to Jimmie-Johnnie; whenever it runs. I don't mind paying reasonably for something worth seeing. I do mind being gouged for something that is vastly over-rated and that I have seen before. We drove on, probably never to see Jimmie-Johnnie again. So be it.
San Jimmie-Johnny at dusk















Something not in the tourist literature: about a mile from San
Gimignano is one of Italy's largest prisons; do not pick up
hitch-hikers...

But Wait! There's More! Siena Duomo Museum and Baptistry

In the 14th century, the Sienese planned to expand the duomo, making its current nave into the transept, thus creating what would have been (still) by far the largest church in Christendom. But they didn't. (Something about a plague). Anyhow, where the new entrance would have been is (roughly) now the cathedral museum, which contains the treasury, relics, and items removed for preservation.
The original humongous 13th century stained glass window from the east side















Statues, now somewhat weathered, of assorted saints, apostles,demi-gods, et aliud

















And another quick and clandestine shot, of probably the most famous painting in 
Siena, Duccio's 1311 Maesta; there are many Maestas in the Christian art world; 
this is the Maesta
















Us on the roof of the duomo museum















Looking back to the Piazza del Campo and Palazzo Pubblico















And at the duomo and its great campanile; note that the campanile has an 
increasing number of bays on each floor, ingeniously lightening the load on up...















Meanwhile, back in the museo, an interesting coat of arms 
(nyuk, nyuk,nyuk)




















A particularly cheerful display in the reliquary















In the Baptistry, the font by della Quercia



















With bronzes by Ghiberti (who bested Brunelleschi for the contract to do the 
doors of the Florence duomo bapistry)















And Donatello

Siena Duomo

The Siena Duomo is surely one of the greatest of cathedrals; Wagner said it was 
the most inspiring buidling he had ever seen and based the stage design of 
Parsifal's Temple of the Holy Grail on it; of course, he really didn't travel all that 
much

















Facade















Interior; even with hundreds or thousands of visitors, it is one of those buildings
 that fascinates















Ceiling of the Piccolomini Library, one of several side chapels




















The Library celebrates the life of Pope Pius II and is covered 
with Pinturrichio's giant 1509 frescoes





















Michaelangelo's sculptures of Peter (above), Paul, Gregory,
and Pius, are almost lost among all the other masterpieces





















One of Siena's more notable features is the prominence of in-laid marble scenes 
all over the main floor; here, the slaughter of the innocents; elsewhere, a dozen 
Sibylls; and more biblical scenes

















The 13th century pulpit, by Pisano and the father/son team of 
Arnolfo and Giovanni di Cambio





















Detail: damnation (of course)















Ceiling; the effect of the light is very different from, say, 
Chartres, but no less engaging




















Altar



















In a chapel on the south side, four Bernini sculptures, 
including his exquisite St. Jerome




















Dome















Closer up















The nave is lined with busts of all the popes, into the 13th century (the pattern 
repeats, however)...