Friday, January 8, 2010

Reina Sofia Museum and Gernika

A few blocks from the Prado is the Reina Sofia Museum, where they keep the more modern stuff, mostly Dali and Miro and Picasso. Interestingly, it was just as crowded this Saturday afternoon as the Prado.
The Reina Sofia Museum








A long line to get in










Hello, Dali!











Goodbye, Dali, some would say







Dali's "The Enigma of Hitler"; really?








They allow pix all over the Reina Sofia, but not in the Guernica room, where 
four guards have all they can handle keeping people from snapping pix; I got 
mine from the adjoining room, but still got yelled at









Ditto







In one of the adjoining rooms they have studies Picasso did for the final production











Maybe color would have worked




















This is Picasso's rather forgettable tribute to all those 
fallen in WWII









































A Day at the Prado

The Prado, they say, is one of the world's four or five great museums, and, if you like painting only, and almost entirely Spanish and Italian, 15th-19th centuries, this is the place for you. Also just about every sort of depiction imaginable, to 15th-19th century Spanish and Italian painters and their patrons, of the annunciation, the adoration, the assumption, the conception, the ascent, the descent, the piety, the humiliation, the crucifixion, the many, many martydoms (not nearly enough, however), the judgements (last, next to last etc.), the spoliations, the preachings, the coronations, the visions, the epiphanies, the cardinal vices/virtues, the apotheoses, etc; you get the picture. For me, it might have been an atheological hell. And a lot of paintings of Spanish royalty, nobility, high clergy, etc., also high on my list of personal favorites. On the other hand, it is one of very, very few museums in which I have actually purchased a guidebook, just to make sure we didn't miss any of the 40 or so supreme masterpieces (seriously) and have to come back. But I probably will want to go back some time. Figuring out the apparently Cabalistic numbering system of the rooms was a challenge in itself.

The Prado has a no pix policy and the will and manpower to enforce it. Frowny-faced guards everywhere. In a place like this, you don't dare. But they have a quite decent website which I have referenced below in the "not pictured" department.
Current entrance









Statue of Goya; it seemed like at least half the
paintings were his; despite being (or maybe
because...) the court painter, he had a darker
side, a really dark side, kept to himself, but
revealed in a very large and interesting hall,
all by itself...
















Older entrance






































Not pictured department (because you can't snatch things from the Prado's website):

I am pleased to say, as a northern painting fan, that of all the famous paintings at the Prado, even including Goya's 3rd of May, nothing drew a crowd except Bosch's "Garden of Earthly Delights," http://www.museodelprado.es/coleccion/galeria-on-line/galeria-on-line/obra/el-jardin-de-las-delicias-o-la-pintura-del-madrono/

I consider myself something of an expert on San Sebastians, and I have so far found only El Greco's version bold enough to paint an arrow into the groin area; http://www.museodelprado.es/coleccion/galeria-on-line/galeria-on-line/obra/san-sebastian/  ouch!

And lastly, I have retitled Velazquez' "St. Anthony Abbot and Paul, first hermit" to be "I'm loving it; or, the miraculous delivery of a cheeseburger to SS Anthony and Paul"  http://www.museodelprado.es/coleccion/galeria-on-line/galeria-on-line/obra/san-antonio-abad-y-san-pablo-primer-ermitano/


Happy New Year in Madrid

From Consuegra we headed back north, past Toledo, aiming for a campground in Madrid that allegedly had wifi. We found it OK, but it was really on the outskirts of this city of 5 million, an hour bus/Metro ride, so we opted, in failing daylight, December 31, for the somewhat closer-in Camping Osuna, a few hundred meters from the Metro and only a dozen or so stops into the Centro. By the time we got to Osuna, it was dark, a wintry mix was falling, the wind was blowing, the temperature plummeting, the place was muddy and dingy, we got the last decent spot, and couldn't find anyone to explain to us how to get to the Metro. While it would have been neat to celebrate the New Year at the Plaza del Sol with 10 million Spanish personnes and other tourists, we opted finally for our own celebratory activities in the Grey Wanderer. Unlike the previous new year, on the Abel Tasman trek, we did manage to stay up till midnight, to welcome in the New Year, 2010. There were plenty of fireworks to see and hear, but, unlike the Kiwi boaties of 2009, it was all over fairly quickly.

The next morning we found our way to the Metro, bought a packet of ten trip tickets, and took the straight shot right into town, the Plaza del Opera, and the Royal Palace, which Vicki thought might be open.  As it happened, the Palace was closed, as was everything else, so, finally finding adequate wifi at the Plaza del Sol McDonald's, I spent the rest of the day there, doing email, blog, trip research, and the rest. Vicki explored the neighborhood a bit, then took the Metro back to Osuna.
Place del Opera in Madrid







The Royal Palace, which was closed New Year's Day, and which we later  opted 
not to see anyway (how many replicas of Versailles can a person handle?)








Across from the Palace









10 in the morning, New Year's Day, everything is closed, yet there are thousands 
of people out and about, just strolling/milling about; I never figured out whether 
they were getting an early start on the evening's paseo or were still paseo-ing
from the night before








On the Plaza del Sol, ground zero Madrid













Anyhow, it was New Year's Day





































La Mancha

South of Toledo is La Mancha, an area of high dry plains, not much on the beaten tourist path. I read Don Quixote when I was 58--same age as the Knight--and found it to be one of the most engrossing and impressive books I have ever read. More recently, I read Stephen Marlowe's fictionalized biography of Cervantes (good where it sticks to what is known, not so good where Marlowe is filling in the considerable gaps in Cervantes' life; but he certainly got the character and voice right, by my lights). Anyhow, I had to see a windmill and some little bit of La Mancha. So we drove south as far as Consuegra, the beginning of Quixote country, and a major collection of windmills and other things.
Door curtain in Consuegra, with Quixotic
figures












Square in Consuegra







I wonder whether they serve horse flesh?









Windmills on a hill...no tilting allowed








Hilltop fortress in Consuegra, probably being renovated as
visitor center for Quixote World








The countryside around Consuegra...lots of vineyards (and those
strange jugs) and olive groves; despite recent rain, it still looks
appropriately dry and barren








More countryside and another bullboard









Contemporary windmills; the dots on the hill top are ruins of old
windmills...some indication of the scale of the new devices

























































Santa Cruz Museum in Toledo

Museum entrance











Moorish stone tablet











Toga! Toga! Second-third century AD, from a
villa in the area












And a 3500BC menhir, with serpentine figure;
people have been living around here for a long
time














Courtyard; the place was originally a hospital;
several items in its collection were from, we
noted, a home for the elderly insane...










Close range target practice on St. Sebastian











El Greco's celebrated Assumption











Jesus and St. John












The Annunciation






















































































A sort of regional museum, the Santa Cruz is best known for its El Grecos but had plenty of other stuff of interest. Alas, unfortunately, they closed early--unannounced--for New Year's Eve, so we did not get to see the tile collection

Toledo Cathedral

West facade and tower; the building is
so hemmed-in, Medieval-style, there is
no vantage point from which you can
see much more of the exterior than this






















A last judgement in one of the chapels; the middle
right panel shows those going to hell (always our
favorite) including the very famous adulteress with
the flaming crotch

















There was not enough light for the altar (and
windows were not their forte), so they cut a
big hole in the roof, then decorated it in massive
 Baroque style ("Baroque" is Italian for "way
over the top")






















More of the ceiling hole decoration




















In the Treasury, this is the 8 foot silver
and gold monster they parade around the
city annually for some sort of special
Eucharist






















Central nave


















Unicorn misericord in the choir; there were scores
of such secular and sometimes risque figures in the
misericord section (where you put your bottom
isn't holy)
















The seat backs in the choir all had carvings depicting the
reconquista, the "liberation" of various Spanish towns and
cities, this one Salamanca; military historians, we read,
come to study these depictions to learn of the development
of arms and strategy
















Here you can see the tiered nature of the choir seating...
misericordia, then the battle scenes, then famous Spanish
bishops, then figures from the Bible, specifically Christ's
ancestry





















The altar, totally over the top (and a lot of
gold from Peru and Mexico, one assumes)



















The Baroque organ; there was also a
neo-classical one...


































Toledo Cathedral is billed as Spain's finest. It certainly was the most interesting we have seen here so far. One of the chapels holds 18 El Grecos plus many other masters, Spanish and Italian. The Treasury is small but studded with, um, treasures. The best part, for us, was the choir, which was hands-down the very best cathedral choir we have ever seen. I am sure we spent more time in this remarkable building than most infidels. Photography was not permitted, but guards were sparse and not particularly interested, everybody else was openly shooting pix and movies, so we indulged ourselves a bit too.

Thursday, January 7, 2010

Holy Toledo

Alcazar, Toledo










You see a lot of blades in Toledo, these in the Cathedral gift
shoppe

Marzipan church (Church of St. Marzipan)

Entrance to the church of San Tome, site of
El Greco's greatest painting (so they say),
the Burial of the Count Orgaz (no pix
allowed)

There it is, the Burial of Count Orgaz, right off
the web...El Greco is an acquired taste that Vicki
and I seem to have acquired; his paintings are
all over, mostly in Toledo, but also in the Prado,
the Escorial, etc.

Typical Toledo street, I mean, alley

You also see a lot of Toledo gold...

Miguel Cervantes surveys the Calle Cervantes

Very important building

The countryside, La Mancha, from the hill top in Toledo
(also the Rio Tejo, which we last saw in its estuarial state
back in Lisboa)

What a perfect image: Toledo was the long-
time capital when the Moors were finally
driven out of Spain in 1492; it had been
their capital too, but was among the first
major cities the Christians re-took

[Not pictured: the Zocodover, that is, the main square; from the various guidebooks you get the impression of great size and majesty; it is not a lot more than an intersection where the bus stops]

We spent a couple days in Toledo and one night at the Camping El Greco, with the river below and the city beyond. Toledo is muy touristico,  but so rich in history and sights and atmosphere it doesn't matter. It is definitely El Greco's town, with major and multiple paintings at the Cathedral (no pix) and at the museum, and also at the Tome church.