Bourg en Bresse, the capital of Ain, is in the way between Burgundy and Chamonix Mont Blanc, two destinations that generally go together for us. So, after Tournus, en route to Chamonix, we stopped in B en B for lunch and a tour of the Brou church and monastery.
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| You guessed it, Bresse chicken | 
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After the previous evening's over-indulgence, we opted just for the one-plate 
affair; Vicki really likes this stuff; I prefer Costceaux | 
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From the Bresse chicken restaurant row, you gaze across the street at the Brou 
church, an early 16th century Flamboyant extravaganza that is part of the Royal 
Monastery of Brou, which was intended to be a royal burial ground sort of like 
St. Denis, but for the elites of Savoy and Burgundy; the Flamboyant is interesting, 
the tile roofing is impressive | 
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| Interior | 
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| Elevation | 
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The sculpture on the rood screen, the choir, and the tombs 
is exquisite and fairly unusual in having escaped the 
Revolutionary ravages most royal/noble/religious edifices 
were subjected to | 
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The tomb of Margaret of Austria, the donor of Brou, widow of Philibert the Fair, 
duke of Savoy; or possibly her mother; or possibly someone else, maybe 
Philibert himself | 
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Margaret died of blood poisoning, our guide (Vicki) said, from a cut on her 
foot, pictured here (right foot); always, ALWAYS wear shoes or other foot 
protection; and treat even minor cuts promptly... | 
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Chartered helicopter view of the entire complex; notice there are three different 
cloisters; Margaret lived here, so one was for her private use; I bet it was nicer 
than the others | 
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| One of the cloisters; a double-decker, too; nice picnic pavilion in the center | 
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| Giant sun dial outside the church | 
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The monastery proper is now the home of B en B's municipal 
museum, which is fairly formidable considering it is a small 
city; above is what happens when you don't brush and floss 
after every meal; I wonder if Caravaggio ever did one of these, 
and if so, how he handled the lighting... | 
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Would it have made more sense, compositionally, to have 
had four angels, not three? I mean, with four, you could 
avoid the juggling act of the left angel; and it still would 
have made symbolic sense, 3 for the trinity + 1 for the unity 
=4; am I right?  | 
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| Always looking for a Millet, one of Van Gogh's heroes | 
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We really were looking for a Breughel, which turned out to 
be a "studio of" Jan Breughel, and a Dante and Virgil that 
was under restoration or on loan, but were nonetheless 
pleased to see this and a couple other Gustav Dore pieces... 
Vivien and Merlin | 
 
1 comment:
Love the colored patterns on the tile roofs.
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